Tuesday, March 1, 2022

#035 Call it Creativity and Commitment via Autumn LaBella

We're On Instagram! 

& we're welcoming March 2022 with a heart full of creativity and commitment. Thank you all for your patience while The Movement recharged its soul power with an intense mental, physical, spiritual detox process. Renewal feels like the first drop of rain in a dry spell as I make room for Spirit to let movement, music, art, and literature provide the discipline I need to propel myself into a more potent miracle zone. I truly am looking forward to indulging in so much amazing poetry, especially poetry created by Afro-American women, with you all in this New Year. 

My prayer is that each poem on this page inspires you to fill more spaces in your life with as much love and liberation as possible. The Write Sis Poetess Movement inspires positive behavioral change by centralizing and sharing the creative and expressive poetry of Afro-American women. In the past year, The Movement has strengthened its core values, has created a catalogue of over 100 poets who identify as Afro-American women, has expanded its social network through with new media platforms, has featured in The Chocolate City Monologues held in SE, DC, and has been nominated for a WammieDC Music Award for best Hip Hop Song. 

So welcome back family! Stay awhile, and let the literature enlighten you. 

With Love & Literature, 
AL


Monday, March 15, 2021

#034 Egypt English, 2020

In the Trenches

We been watching from the cut, moving in the dark, slipping through the cracks, sneaking up on you like Winter right after Summer in September, now it is our time. The skies look black and lights are dim, but we have night vision that pierces through time like cosmic threads through the eyes of our needles. Witness me, us stitch masterpieces out of the rags discarded from the rich's waste. Watch as I transmute these bricks and sticks, pains and tears from the ruins of our tragedies into gold, silver and celestial bodies that rise from the voids in space and time and matter like mountains emerging from ocean trenches.


written by Egypt English, 2020.

#033 Egypt English, 2021

Sister, wife, mother, poet, and creator Egypt English captivates readers with her ability to intimately dance with words that come from a place of raw emotion. Her poetry addresses themes ranging from self-empowerment, natural cosmological order, and religious, spiritual, and socio-political allusions. This queen was raised in Ringgold, Virginia, and later studied creative writing and theatre at Frostburg State University where she met her husband, King Frank May.

She writes on her blog, From Wrong to Write:

"Over the years I have found myself on a unique path to self-love, truth, peace, freedom, and justice...It is my desire that through my writing you will find your way to your own rising."

Egypt English is a refreshing reminder of WRITE SIS's mission to inspire behavioral change through WRITING. It is an honor to share your works sis!

Among other incredible productions, she has a beautifully arranged spoken word album streaming on all major music platforms: (click this link) Opening Ceremony Vol. 1: The Birth of Egypt English
Follow her on social media, (@leideenglish) & let her words carry you...

Misnomer


I washed up nearly frozen from a warm tide

onto a desolate shore, white banners blowing about the masts of sunken shipwrecks 


I only see red, and no man strong enough to lift me. My legs are weak, heavy, not stable enough to carry me. So I wait for him, like the weight of icebergs drifting patiently toward an uncertain melting point beneath a darkening sea of constellations. 


It is in the grains of sand I see my reflection, a consortium of stardust and molecular compositions that morphe without hands to mold them. In their folding I see myself sufficient—

lifted— 

high above the glistening crystals. 


And so I begin to rise,


unsteady, but sure, and from afar I spy him. As if he is crossing a bridge of waves, he moors ships in the distance summoning me to stand tall like flags mounted on top of conquered nations. 


You see, many have called me confusing weather, but I do not know this name like I know these winds. I know the rains, as I know this earth, like I know those flames that propelled me far above those higher glistening plains to stand atop mountains no man can claim.


written by Egypt English, 2021

Saturday, February 20, 2021

#032 Jessica Care Moore, 1997

 This is not an instrumental 
To real MC's and Poets across the globe

Recorded for Japanese recording artists, Silent Poets, 

"For Nothing" Album. . Toy Factory '98. 


From Japan to Motown

Seven mile to Fulton Street

There is the word unrehearsed - hungry for truth

Not always found in the poetry scene

Without a musical backdrop to make your head get loose

Cause it's the words we speak leaking messages to and - From our youth

Poetry shows how verse is always fundamental

In case you're confused, this is not an instrumental


Thee is an afro ready to bloom and a flower waiting to die

Maybe's killing maybe's and somebody knows why

In slavery we trust complacent with nothing much

Eat your people's humanity over politics at lunch

I gotta hunch your gonna make it the big time

We didn't create it

Yet we think we have the right to desecrate the rhyme

With rights come responsibility

Bring the truth with a prophets humility

You be killing me!

And killing you and those other two that came with you

who thought they knew

A rhyme was about talking about your silly crew

In lieu of all the death they'll soon be nothing left

The because of things will be taught to the blind and the once def

Lyrics are already outlawed on major radio stations

Conversations are a fantasy and there's a chocolate candy named

after the Temptations

Follow me to where the music always plays

The bouncing ball is tripping cause the world cares what you say

Lyrical police are unleashed as we try hard to say the least

Still there is no such thing as silence before the peace

Musical inflation on the rise, watch the voice increase

Keep me out your stores, I'll kick my poetry on the street

In my pants there is no crease

Academically elite please take a seat


Welcome to the reality of the poor and the nameless

To poetic to get famous

Suck in a daily dose of Dean

Sitting on the broken knees of uncle remus*

Blame us, the Hip Hop generation, for taking poetry back to where it

started

Corners of city blocks, rolling dice, on a hill

In the alley, in your aunts basement, at a protest in Harlem

Prepared to be killed

It was about politics and courage and the integrity of being an artist

Sonia, Gil and The Last Poets still talk about it


My name is grace and I'm married to Hip Hop, buried under slow sand

Dirty round my knees I draw with brown hands

choke for air

breathe for no one unless the mic's checked

Turn off the light, raise my head give the sun love

It isn't here yet

Reach in my pocket watch the real clock with my eyes closed

I hear the tick, I grab my bic

Least that's how the story goes 

Traveling with full pockets just trying to find my way home

But all I got is the sun, two pieces of lent and four new poems

On my journey there will be many that I meet

Sniff out the vibe, check the label closely

For the other white meat

I press delete and a new poem begins

It's not a coincidence, since without a princess there is no prince

And cinderella's left shoe has been missing ever since

She went commercial and thought she'd be better off alone

She drove herself to the mall, sold her carriage for tiny stones

Some called them diamonds, she traded them for her blue yes

And now when she blinks truth sounds like lies

When I go home to Detroit I love eating chili fries

And I hope that all this sounds written and rehearsed

When you think of poetry

please listen both ways before crossing the verse

Sign my name in she-brew black girl juice can heal you

It doesn't matter how big your words

If the people can't feel you


written by Jessica Care Moore, The Words Don't Fit in my Mouth, 1997.


*see: Uncle Remus folktales

Thursday, February 18, 2021

#031 Jessica Care Moore, 1997

 BLACKGIRL JUICE

Maple syrup
In the morning
Brown Sugar that sweetens
Cinnamon twists in apple cider
Magic Black dust is inside her

Wheat bread with homemade spread
This juice goes straight to the head
Coffee without dairy cream
Any man's dream

Black cat That will bring you luck
Aphrodisiac you'd love to suck!
You wish! Black twisted licorice. 
Cooking black-eyed-peas.
Wearing black knee-high stockings
Black pumps. black hair. black dress.
black eyes.

This juice makes you wise
Allows the sun to shine
Black eagle. black butterfly.
Black tears she sometimes cries
But one sip and you'll believe
Braided hair natural cut or curly weave

Nails with acrylic tips, and wide-shaped hips
Most men fiend to hump her
Nails cut off she has a nice touch on her jumper.

Revolutionary waters she's your mother, 
auntie, sister-friend and daughter
You oughta recognize her eyes

She rolls them when she's mad and
she keeps her eyes wide open when she makes love
Cause she's bad to the BONE!
Blackgirl Juice is a nutritional boost
Bananas Strawberries and Melanin Nectar
No average man can affect her

Ingredients are Spicy-Mild-Sweet
Burns your tongue like an Jalapeno
Pepper steak with authentic chopsticks

First round draft pick. Black Afro Pic.
The one with the fist!
    Tight.
Deep.
Loose. 
 Have you ever tasted Black Girl Juice? 
You might want to pour some inside a jar 
let it linger on your top lip 
Take it on a trip 
 
Or dab small circles of it on your wrist ankles or ear
And if you're daring enough to ask...
I've got some Black Girl Juice
If you have an empty glass


written by Jessica Care Moore, The Words Don't Fit in my Mouth, 1997. 



 

 

#030 Jessica Care Moore, 1997

Detroit native Jessica Care Moore is a renowned poet, author, playwright, performance artist/producer, and community activist. She is the CEO of Moore Black Press, executive producer of Black Women ROCK!, and founder of the literacy-driven Jess Care Moore Foundation. Her poetry has echoed throughout Carnegie Hall, Lincoln Center, and the London Institute of Contemporary Arts. 

Thank you Jessica, for sharing your work with the world...

I Bet You Want Me To Write About Fiction

I could paint my front porch green

Smile through my teeth so I didn't seem so mean

Give you a glass of water so you could swallow my reality

Without Guilt

Warm your heart

Spend time showing you how to sew up the holes of my

African Quilt

Guess I could write a thesis on why I write

With Black dialect or diction

I bet you want me to write fiction


Cause you can't handle my truth!


You want novellas that tella pretend made up existence

With fairies

When I fly without wings on the weekend

And you want me to wear a costume on stage

Depict a fictionary tale that deals with Black rage

On an island far far away

On a planet that no one's every heard of

Want me to chop off my female into

Carefully constructed chapters

With titles like Snow Black and my seven boys

Or Mary had just a little ham

But I don't own shiny red shoes and 

the green witch melted

So when you read my work you felt it


Now you want me to write fiction

With happy endings

Typical beginnings

Want to imagine my existence

Is a figment of your twisted imagination

With lots of exhaling and no breathing

You want a black women's story bout how she's so alone

But I got a good man at home

Think I can't compete with those who test my black power temperature

With panting wet dog tongues


You think I'm too young to have a relevant truth

You want to paint my experience in bright pastels

As if my brown is lacking color

And you want me to speak to my audience

Lying on my back

On top of a long Black couch

As publishers posing as psychologists

Analyze my analogies and antonyms

Trying to figure out where the hell I've been


But Black women don't have time for therapy!

 

You want to marry ketchup with my blood

Too thick

Pouring so slow drops of my watered-down life

So you can enjoy a glass of black girl juice

With your morning paper without choking

You want me to write fiction

So there's no way of connecting my words to

something tangible

Down the road you can write me off

Calling my characters fictional

Their lives false

My afro grows too thick to please the animated cartoon

You've outlines in one-dimensional crayons

Representing a generation without a last name

Building wooden tables of continents

Take a valium

This is only my first

And there are others like me

I have their phone numbers and bra sizes

And the fact is your fiction can't be created without my blue print

Dipped in fresh Black ink

Cause this poem is real

And if you're really afraid

Why are you here?

At the end of my poems life

And she doesn't commit suicide

She survives


With a wicked smile

And the story never ends cause my girl

T.Tara Turk said

In real life nothing ever does

And I believe her

Writing her way out of fiction


Sitting on a green porch in Harlem

recreating the spirit of a woman named Sugar

Ain't our reality a sweet thing

A taste you can't seem to place

Can't pretend not to know

But we exist

Yes we do

It's a fact. 


written by Jessica Care Moore, The Words Don't Fit in my Mouth, 1997.


#029 Jessica Care Moore, 1997

Wherever you are, and whatever you woke up feeling like, know that you are loved, and know that you have what it takes to make the world around you a better place. You have ancestral intelligence, passion, and rhythm pumping through your body with every breath you take. 

Follow the movement on Instagram!

Explore ways to let poetry inspire your everyday lifestyle: 

 @WRITESIS

I'm still on a high from indulging in so much of Nikki Giovanni's incredible poetry, but as of late I've been buried in the work of Detroit native Jessica Care Moore. Sis has such a down to earth writing style that reminds me that poetry is a transformational tool that provides clear and relatable communication about what is going in our current world. 

Thanks to Amazon, I was able to start reading "The Words Don't Fit in my Mouth" which was published in 1997, however, I plan to work my way through "Sunlight through Bullet Holes" (published in 2014), and then listen to "We Want Our Bodies Back" (first published in 2020) on Audible.

I'm Done Dating D.J.'s

I'm done waiting around

at the end of the night

as the club clears

For the very last time

I'm done being the supportive sista

willing to hear your latest

Craziest track chime


I have NO more requests

Take me off the guest list

Before I have a fit


I'm pretending like it was a mirage

How's it feel to sabotage someone's heart

Then sample the sound on a new track?

Musical heart attack


I'm tired of conversations at the club where you spin

We're always vibin' about the world

fake people and jinns

No more saying yes

to late night invitations to listen

Wishing


You were putting ME on wax

Throwing my heartbeat on your headphones

So, you'll never be alone

A loving lyric

If you payed attention

you would hear it


No more sitting at the sidelines

laying my heart and soul

on your turntable

So you're able to create a fate

you're afraid to recognize

Dee-jaying with closed eyes

Is a cute trick

But, it's wic-wic-wack!


As you concentrate on your bobcat

To ignore a sista's that got your back


We're a perfect blend

Don't flex

Cause I can make you flutter

Sound smooth like butter


Won't tell me how you feel

I admire your passion

Trying to make cash and

Your blend is truly tight

But I kept you warm last night

Don't know what you're cuing, screwing or doing

With your "phat" party tricks

On stage doing tricks

I never gave you ultimatums


You gave me your milk crate full of records

And I played them

Hey, Mister DJ with your trunk full of vinyl

This song is final

You've lost the light in your better days

I'm done dating DJ's


written by Jessica Care Moore, The Words Don't Fit in my Mouth, 1997.

Thursday, February 11, 2021

#028 Nikki Giovanni, 1997

Kidnap Poem

ever been kidnapped

by a poet

if i were a poet

i'd kidnap you

put you in my phrases and meter

you to jones beach

or maybe coney island

or maybe just to my house

lyric you in lilacs

dash you in the rain

blend into the beach

to complement my see

play the lyre for you

ode you with my love song

anything to win you

wrap you in the red Black green

show you off to mama

yeah if i were a poet i'd kid 

nap you


written by Nikki Giovanni, Love Poems, 1997

#027 Nikki Giovanni, 1997

I Wrote a Good Omelet

I wrote a good omelet...and ate a hot poem...

after loving you


Buttoned my car...and drove my coat home...in the

rain...

after loving you


I goed on red...and stopped on green...floating

somewhere in between...

being here and being there...

after loving you


I rolled my bed...turned down my hair...slightly

confused but...I don't care...

Laid out my teeth...and gargled my gown...then I stood

...and laid me down...

to sleep...

after loving you


written by Nikki Giovanni, Love Poems, 1997


#026 Nikki Giovanni, 1997

When is the last time you took a day to admire how beautiful, how exciting, and how inspiring it feels to love? Not just romantically, but unconditionally. Let's practice the art of being in love with just being. Love the little moments just as big as the grand ones. Love because you can!

Starting my day with some juicy Love Poems from the notorious Nikki Giovanni.

That Day

if you've got the key

then i've got the door

let's do what we did

when we did it before


if you've got the time

i've got the way

let's do what we did

when we did it all day


you get the glass

i've got the wine

we'll do what we did

when we did it overtime


if you've got the dough

then i've got the heat

we can use my oven

til it's warm and sweet


i know i'm bold

coming on like this

but the good things in life

are too good to be missed


now time is money

and money is sweet

if you're busy baby

we can do it on our feet


we can do it on the floor

we can do it on the stair

we can do it on the couch

we can do it in the air


we can do it in the grass

and in case we get an itch

i can scratch it with my left hand

cause i'm really quite a witch


if we do it once a month

we can do it in time

if we do it once a week

we can do it in rhyme

if we do it every day

we can do it everyway

we can do it like we did it

when we did it

that day


written by Nikki Giovanni, Love Poems, 1997


Oop! Let me go...#WRITESIS LOL

Monday, February 8, 2021

#025 Nekhena Evans, 2000

This poem made me cry when I first read it. 
Nekhena Evans is an author, poet, producer, speaker, and founder of NewBein' Hair Care Product line.

Discover her written work on natural hair care via Amazon today!: Nekhena Evans Literature


AND I CALL MYSELF A WOMBMAN


How can I become a "Wombman"
when I don't know my womb?
I have never had a conversation with my womb
so how can I consider myself a Wombman?
I have been with you...grown with you,
been through Rites of Passage with you
from childhood, to adolescence, to adulthood, and yet...
I have never had a conversation with you.
You have been a victim. A consequence to an action. 
A symptom of a disease. 
An effect of my action.
I have never spoken to you. Consulted with you. 
Inquired of you. Cared for you.
Or understood you.
And I call myself a grown Wombman.
Where have I grown? How could I have grown without talking with you?
Without acknowledging your presence and your works?
And I call myself a Wombman.
I have put you through dozens of men...
alien spirits/beings/entities...of all dimensions,
from all places and stations.
I have created and destroyed babies through you.
I have fed you all kinds of poisons, thereby creating diseases---
fibroids, tumors, cysts, and the like.
I have sexually abused you, thereby creating sexually transmitted diseases...
infections of all types, itching...burning...hurting...PAIN!
I have used you for my own purposes...
money, favors, alleged self-esteem, beauty, clothing, food.
I have allowed men to probe you, 
doctors to drug you, while I held you down.
If I had known someone who had done all these things
I would call them the names I despise the most-
MURDERER, THIEF, LIAR, BETRAYER, DEMON.
Yes I would...
And I call myself a Wombman,
Time to release. RELEASE, RELEASE.
FORGIVE ME. FORGIVE ME. FORGIVE ME.
I am complete.
I will be responsible for you, for myself...for my womb. 
We are in relationship together.
We have been from the very, very beginning.
I will commune and communicate with you. 
I will listen to you.
I will wash, cleanse, and purify you. 
I will pay attention to your patterns, your moods, your signs and wonders.
I will...I will...I will...become the Wombman that you made
me from the beginning.  

written in Queen Afua's Sacred Woman: A Guide to Healing the Feminine Body, Mind, and Spirit, 2000.


#024 NYA AKOMA via Autumn LaBella

💟💟💟 

I'm wishing each of you a warm transition into this frosty new month!

I'm reminded of a Kwanzaa celebration I attended some time ago in SE, Washington D.C with a good friend of mine. I attended an African Methodist Episcopal church growing up, so I had been exposed to some Pan-African customs early and to some extent was observing the holiday, but I had never actually attended a community based Kwanzaa experience as an adult. 

We were saturated with high vibrations as soon as we walked into the community center where the event was being held. All types of freshly garnished ital eats and fruit juices lined the back of the joint. Neatly cut and colored fabrics and tapestries, beauty bars, and butters sold by sisters, crystals and copper work advertised by incense carrying brothers adorned the east and west corners of the room. Rows of chairs in the mouth of the room were swallowed by a sea of melanated men, women, and children beaming with light and excitement. A sweet musk filled the air, mostly from the beautiful troupe of brothers who were striking djembes, congas, bongas, and cajons in a hypnotic, syncopated rhythm. The drummers were encouraging guests to chant or dance on stage with dancers that were letting Spirit lead releasing movements (yes yours truly ended up on stage getting LOOSE). It was a gift to feel welcomed by every guest in the room. 

My eyes grew wide with anticipation as I watched the drummers shout African affirmations while striking their drums even more powerfully. I skimmed the stage and focused on a lone woman, a slender chocolate skinned sister with revolution in her eyes, chanting and dancing freely with a cowrie shell covered shaker. Her confidence, her rhythm, and might I add, her agility for a woman in upper years, was breathtaking.

I laughed to myself, "That will be me in my golden years."

Needless to say by the end of the night, I worked up the courage to introduce myself to this intriguing woman draped in different shades of lavender. I felt like a moth being drawn to an elegant ember. When I humbly approached her, she finished her previous banter with another guest, looked me in my eyes, and with a wide smile led with:

"My you are a beautiful young sister."

I'm sure I blushed, but it didn't matter because she immediately embraced me and whispered, "Welcome."

After thanking her, I found that this lady in lavender was none other than Mama Ayo Handy Kendi: author, poet, lecturer, entrepreneur, Founder/Director of the African American Holiday Association, Founder of Black Love Day (which is celebrated on February 13th), cultural presenter, community organizer, and Certified Transformational Breath Facilitator. Since 1989, Mama Ayo has been a champion for human rights, justice, and wholistic health. 

We briefly discussed the importance of her established holiday, and she lovingly quizzed me on my perspectives in regards to my love relationship with my Creator, my self, and my community, which she deemed as some of the five 'tenants' of love (see "The Black Love Book: An Anthology on Love and Guide to the "wholyday" Feb 13th --Black Love Day", pg. 24). 

According to Mama Ayo, she founded Black Love Day as a way to help our community understand that "we must love ourselves enough as a people to want to reclaim our legacy, to study our history and culture...we need not to be ashamed of anything, only proud of how far we've come and proud of our many contributions!"  

Mama Ayo explains in her anthology on Black Love Day what NYA AKOMA means:    

We know of the heart as a symbol for Valentine's Day. Yet, long before Europeans used decorative, lace hearts to symbolize romance, this ancient, African Adinkra symbol was called the Akoma (pronounced Ah-co-mah). The Akoma literally means "the heart" and symbolizes love, patience, goodwill, faithfulness, and endurance, with its origin traced to the Asante people of Ghana and the Gyaman people of the Cote' d'Ivoire. The literal translation for NYA AKOMA is "Be patient, get a heart". The ritual and symbols of Black Love Day are a "synthesis of spiritual, metaphysical, African and African American customs which aid in heightening Black cultural pride and self-esteem. Gifts can be given if one desires to express their love, however, gifts must be purchased only from Black merchants, in the spirit of Ujamaa to recycle money within the Black community. It is recommended that gifts be made or chosen to enhance the spirit, mind and body, or chosen to reflect the love of African Diaspora culture and heritage, instead of impractical trinkets and unhealthy, sugar-laden gifts traditionally given for Valentine's Day."

If you can remember on February 13th, take 24 hours to be more mindful of how you are loving on those around you. Take time to rejuvenate your relationships and nourish the parts of life that mean the most to you in the spirit of Akoma. 

Interested in discussing or learning more about Black Love Day traditions? 

EMAIL AUTUMN LABELLA 

Special thanks to Mama Ayo Kendi of the African American Holiday Association (AAHA) 




Friday, January 22, 2021

#023 Amanda Gorman, 2020

This manifesto was a commissioned piece written for Nike in celebration of Afro-American athletes & 'Black History Month'. Los Angeles native and Inaugural Youth Poet Laureate Amanda Gorman draws inspiration from researching the role that Afro-American athletes during the mid-late 1930s played in strengthening the cause for civil rights, specifically those that boldly defied racism and Nazi alliance in the 1936 Berlin Olympics.

Check out previous entries for grounding poetry that inspires you, and feel free to share any beautiful thoughts or discussion points in the comment section below!

#WRITESIS #AMANDAGORMAN

--------------------------------

UNTIL WE ALL WIN


We come together with our
Dreams, daring and devotion.
As athletes leaping in motion
And artists launching a moment,
We are advocates leading
This black history movement.

We are the new generation,
Watch us rise. We recognize
Legacy as opportunity,
Leadership as our duty.

We climb as a community,
Celebrating our history and creating
The future in our own reflection.
Each of us is a thread,
A connection, 
Heading together in a single direction.

We step forward. We go all in.
We know becoming the best
Means raising up all the rest,
Because victory doesn't begin
Until We All Win.

written by Amanda Gorman, 2020.

#022 Amanda Gorman, 2021

I am still overflowing with joy and thanks as I recall the experience of watching Amanda Gorman address the world with her poetry. This outstanding wordsmith, change-maker, and cum laude graduate of Harvard University, made history as the youngest inaugural poet in U.S. history! 

My soul brought tears to my eyes as the Los Angeles native recited her work with so much poise, passion, and purpose. I pray she continues to ignite the world with her powerful cadence. Amanda's graceful execution was perfectly aligned with WRITE SIS's vision to make the poetry of Afro-American women more visible and accessible in a matrix that prefers that our love, and our literature did not exist. Amanda's queendom was undeniable as she let truth echo through the air. 

WRITE SIS is a growing literary community that curates a safe space for Afro-American women's poetry to be uplifted as critically acclaimed work. We ARE enough. We ARE intelligent. We ARE here. We ARE breaking barriers that are designed to keep us from thriving and we will continue to do so one stanza at a time. Thank you Amanda, for inspiring me and countless others who use poetry to revive, release, replenish, and reconcile. It's our responsibility to uplift each other, and you are worth listening to!

Amanda's debut poetry collection on hope and healing, "The Hill We Climb Poems"  is available on her website : www.theamandagorman.com 

*the featured poem is a RECOMMENDED READ TO THE END TYPE OF SITUATION*
-------------------------

The Hill We Climb


Mr. President, Dr. Biden,
Madam Vice President, Mr. Emhoff, Americans and the world:
 
When day comes we ask ourselves, 
where can we find light in this
never-ending shade?
The loss 
we carry
a sea we must wade.

We've braved the belly of the beast
We've learned that quiet, isn't always peace
And the norms and notions of what just is
isn't always justice

And yet, the dawn in hours before we knew it
somehow we do it
somehow we've weathered and witnessed
a nation that isn't broken
but simply unfinished.

We the successors of a country and a time
where a skinny Black girl
descended from slaves and raised by a single mother,
can dream of becoming President,
only to find herself reciting for one.

And yes, we are far from polished
far from pristine
but that doesn't mean we are
striving to form a union that is 
perfect-- 
We are striving to forge or union with purpose,
to compose a country committed to all cultures, colors, 
characters and conditions of man--
and so we lift our gazes not to what stands between us
but what stands before us.

We close the divide because we know to put our future
first, 
we must put our differences aside
we lay down our arms
so we can reach out our arms
to one another
we seek harm to none and harmony for all

Let the globe, 
if nothing else, 
say this is true:
that even as we grieved, we grew
that even as we hurt, we hoped
that even as we tired we tried, 
that we'll forever be tied together, 
victorious,
not because we will never again know defeat, 
but because we will never again sow division.

Scripture tells us to envision
that everyone shall sit under their own vine and fig tree
and no one shall make them afraid
if we're to live up to our own time
then victory wont lie in the blade
but in all the bridges we've made
that is the promised glade
the 'hill we climb'
if only we dare it
because being American is more than a pride we inherit,
it's the past we step into
and how we repair it.

We've seen a force that would shatter our nation
rather than share it
would destroy our country if it meant delaying democracy.
And this effort very nearly succeeded,
but while democracy can be periodically delayed
it can never be permanently defeated.

In this truth,
in this faith we trust
for while we have our eyes on the future
history has its eyes on us
this is the era of just redemption
we feared at its inception
we did not feel prepared to be the heirs
of such a terrifying hour
but within it we found the power
to author a new chapter
to offer hope and laughter to ourselves
so while once we asked
how could we possibly prevail over catastrophe?
now we assert
how could catastrophe possibly prevail over us?
We will not march back to what was
but move to what shall be
a country that is bruised but whole, 
benevolent but bold,
fierce and free.
We will not be turned around
or interrupted by intimidation
because we know our inaction and inertia
will be the inheritance of the next generation
our blunders become their burdens

But one thing is certain:
if we merge mercy with might,
and might with right,
then love becomes our legacy
and change our children's birthright
so let us leave behind a country
better than the one we were left with
every breath from my bronze-pounded chest,
we will raise this wounded world into a wondrous one
we will rise from the gold-limbed hills of the west,
we will rise from the windswept northeast
where our forefathers first realized revolution
we will rise from the lake-rimmed cities of the midwestern states,
we will rise from the sun-baked south
we will rebuild, reconcile, and recover
and every known nook of our nation and
every corner called our country,
our people diverse and beautiful will emerge,
battered and beautiful
when day comes we step out of the shade
aflame and unafraid
the new dawn blooms as we free it
for there is always light
if only we're brave enough to see it--
if only we're brave enough to be it.

written and spoken by Amanda Gorman, 2021
National Youth Poet Laureate

Sunday, January 3, 2021

#021 Meresa Harley, 2020

reflections

you think when the world sees you

they see the zeros on your paycheck


(full-time self-critics deserve to make

much more more right?...)


or they see the appointment you

made but didn't have the strength to

show up to


or your false confidence


or how you over pour sugar to cancel

the salt


but what I see

is how you pick yourself back up

not the number of tries it takes you


I see

the warrior you are every day


I see

how you break your own heart to

mend someone else's


I see it all, 


though the world can't see it

because

you don't allow

them to.


written by Meresa, #MERESAPOETRY, 2020.


#WRITESIS



#020 Meresa Harley, 2020

With each passing day I am more and more inspired to spend time doing things that I absolutely love. Recently I took time to indulge in a much needed poetry binge via Instagram. I was so pleased to come across Chicago based poet Meresa Harley. After doing some digging, I learned that she is also featured in Train River Poetry: Fall 2020 available in paperback on Amazon! (link below) #WRITESIS!!!!!!

www.amazon.com/dp/1953597017/ref

Meresa has an intoxicating writing style that makes me feel like I am there, feeling and growing with her. She narrates her experiences in an engaging way that allows readers to analyze emotions via critical thinking and illustrative wordplay. I also love how she uniquely arranges personal photographs alongside her poetry, transporting us visually and spiritually to the sacred space of melanated magic. #MERESAPOETRY 

-------------------------

Golden Beyond Definition


an organic sweetness

in a world full of artificial

sweeteners


our love

pours out

fresh from the honeycomb, 


pure and medicinal

soothes your cuts and burns

fills your soul with warmth

protects you

from harmful invaders

created to

sustain

not spoil,


growth,

is the only way we know

we want to see you

bloom


whole

on our own

we can

complete you,


the only thing we ask

is you match

our energy too.


honey,

how could we 

ever settle

for the bare


minimum...


when we are above average?


written by Meresa, #MERESAPOETRY, 2020.


#035 Call it Creativity and Commitment via Autumn LaBella

We're On Instagram!  & we're welcoming March 2022 with a heart full of creativity and commitment. Thank you all for your patienc...